Jason Kottke relates that, "The title essay of George Saunders' The Braindead Megaphone invites the reader to imagine a person at a party with a megaphone. Megaphone Guy might not have much to say, but he's got a megaphone and so he is heard, his utterances setting the agenda for the entire party, the party's collective intelligence (its crowd-like wisdom if you want to put it that way) determined by the intelligence of Megaphone Guy. Before long, it ruins the party because the other guests will stop being guests and become passive "reactors-to-the-Guy."Joseph Sullivan at BDR goes on to say that, "George Saunders' first collection of essays is out, and before you say "What the HELL is that?", read something that Saunders wrote on his Amazon.com blog:
"The central premise of the title essay in my new book, The Braindead Megaphone, is this: Our cultural discourse is being dumbed-down by mass-media prose that is written too quickly, and therefore fails to due justice to the complexity of the world."
And now think about the latest newscast you watched and tell me that this design doesn't hit all the right notes: ugly graphics, interchangeable talking heads, and most importantly, a real schizoid aesthetic that speaks directly to the way news is created and reported."
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