
Aggie feels guilty about having neglected Janey and sees an opportunity to plan the white wedding that she herself never had. The bride's gay Uncle Winston, initially furious at having been left off the original guest list, becomes a support for Aggie. Relationships are strained to the breaking point under the pressure of costly bridesmaids' bouquets, cake layers and each detail. -- Wikipedia
Fierstein, the quadruple Tony Award winner and perpetual force of nature, both gives and takes away in his adaptation and his performance. He shifts the balance of the piece toward Winston, the unmarried uncle and boarder, the type who used to be euphemistically called a "confirmed bachelor."
It's a pleasure to see Fierstein, a hulking yet comforting figure in a big brown suit and a suitcase, haunting the family crisis like Willy Loman in an Alfred Hitchcock profile. Of course, there is that voice, the echoing sound of a bumpy boulder barreling through a dark tunnel.
But the character feels too flip for the era, an anachronism as jarring as the threat to "shop 'til I drop." Winston, who wants the big wedding, observes, "Resigning oneself to small is sad. Requesting it is tragic." He could be talking about the show. -- Newsday
A CATERED AFFAIR. Book by Harvey Fierstein, score by John Bucchino, directed by John Doyle. At the Walter Kerr Theatre, 219 W. 48th St., Manhattan. Tickets $29.50- $119.50; 212-239- 6200.
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