1st NW Quadrant: The Approval Matrix
From NYT by Dan Frosch
The idea behind the sculpture that appeared on the University of Wyoming campus about 16 months ago was simple but provocative: a swirl of dead wood and lumps of coal, intended to show the link between global warming and the pine beetle infestation that has ravaged forests across the Rockies.
From NYT by Dan Frosch
The idea behind the sculpture that appeared on the University of Wyoming campus about 16 months ago was simple but provocative: a swirl of dead wood and lumps of coal, intended to show the link between global warming and the pine beetle infestation that has ravaged forests across the Rockies.
But in a place like Wyoming, where the oil, gas and mining industries
are the soul of the economy, some view such symbolism as a declaration
of war.
And ever since the British artist Chris Drury installed the
36-foot-diameter sculpture, called “Carbon Sink,” the university has
been embroiled in a bitter controversy, which eventually led to the
quiet removal of the artwork last spring after energy officials and
their political allies complained to administrators.
The dispute over the sculpture — part of a series of campus
installations commissioned by the university’s art museum — has
continued to dog the university after it released e-mails discussing the
artwork.
The e-mails, first obtained by Wyoming Public Radio, showed that the
university’s president, Tom Buchanan, privately asked that the sculpture
be dismantled a year ahead of schedule because of the uproar
surrounding it.
In a note on April 13 to the director of the university’s art museum,
Dr. Buchanan wrote that it would be best to remove the sculpture, “given
the controversy that it has generated.”
His note followed objections raised by local lawmakers and officials in
Wyoming’s energy industry, which helps support the university through
state taxes and felt betrayed.
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